This week’s biggest architecture and design stories on Dezeen



  • The cover of David Bowie’s Blackstar album, released just days before his death, was designed to reflect the musician’s mortality, according to his graphic design collaborator Jonathan Barnbrook.
  • This week on Dezeen: the designer behind David Bowie’s Blackstar album artwork revealed its true meaning in an exclusive interview and we looked ahead to the era of the “megatall” skyscraper.
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  • Rotterdam-based architecture firm OMA also released images of its renovation plan for Berlin’s KaDeWe department store.
  • Rotterdam is fast becoming a centre for innovation, according to architects we interviewed this week.


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Urban jungle: wooden high-rises change city skylines as builders ditch concrete



  • Mass timber could prove to be a viable alternative to concrete and steel for mid-to-high rise buildings.
  • We don’t see mass timber replacing those, it just becomes another option when certain parameters and goals apply to a project.”
  • Called mass timber, the material is an umbrella term for large, solid chunks of panelized wood.
  • Out of the mass timber initiative, CLT might prove to change the construction paradigm.
  • Two urban building projects, in New York City and Portland, Oregon, will be changing their city’s skylines with an environmentally sustainable, cost-competitive building material.


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Arup Celebrates the Grand Opening of The Broad Museum



  • Why Open Source Software Is Taking Over You don’t have to look far to see evidence of open source software’s impact on IT as a whole.
  • You don’t have to look far to see evidence of open source software’s impact on IT as a whole.
  • But no one is making real money from open source.
  • We also hear about the most common tools being used for continuous integration, continuous delivery, an…
  • Over the past decade we have seen the migration from physical servers to virtual machines and now to public cloud, private cloud and hybrid cloud.


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The Legacy of Gego at Dominique Lévy



  • In conjunction with the exhibition, Dominique Lévy will publish a two-volume collection of illustrations, texts and previously unpublished archival material.

    “Gego: Autobiography of a Line” will be showing from September 10 – October 24 2015, at Dominique Lévy, 909 Madison and 73rd Street, New York City.

  • The celebrated historical installation will now be re-imagined at Dominique Lévy, bringing together the original Chorros pieces.
  • She considered her wire sculptures a form of drawing, writing in her diary: “Sculpture: three dimensional forms of solid material.
  • It will be followed in Spring 2016 by a second exhibition devoted to Gego at the gallery’s London space at 22 Old Bond Street in Mayfair.

  • Having worked as designer and architect, and raising a family, Gego was already in her 40s when she became a full-time artist.


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